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I have Sennheiser 280s which cost a bill...
https://www.sennheiser.com/en-us/catalo … pro-506845
I'm thinking about wireless, maybe this, also for a bill?
Why why why why?!!???
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Marketing.
https://us.sennheiser-hearing.com/cdn/s … 1770312608
She's wearing the headphones over her muffler, bad choice.
Why why why why?!!???
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Always bothered by the lyrics because I hear "I'm a green eyed bitch, I'm the soul of Ed McMann."
I'm a walking nightmare, an arsenal of Doom
I kill conversation as I walk into the room
I'm a three line whip, I'm the sort of thing they ban
I'm a walking disaster, I'm a demolition maaaaaan.
Why why why why?!!???
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I made a mix, twenty three and a half minutes of early '80s and one '90s dub reggae tracks
Thanks! Now listening.
This first track's Grace Jones I guess... ah yes your later reference to Demolition Man gives it away. Police song right?
...elevator in the Brain Hotel, broken down but just as well...
( a boring Japan blog (currently paused), now on Bluesky and Mastodon, there's also some GitStuff )
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^ Yes. Her with Sly and Robbie are amazing, who else could successfully cover Bill Withers? Mwow.
https://www.youtube.com/watch?v=ZROdrx0S0Pw
dub_seesion1 playlist
* Demolition Man by Grace Jones (Sting cover from Nightclubbing with Sly & Robbie on drums and bass, 1981)
* Great Train Robbery Dub by Black Uhuru (also Sly & Robbie, Robbie is especially good on this, from Brutal Dub, 1986)
* Buccaneer's Cove by Mad Professor (1985. A Caribbean Taste Of Technology is the album.)
* One More Dub by The Clash, from Sandanista! (1980)
* Don't Move by Cottonbelly, from Cottonbelly versus Trumpet Man (2001? Trumpet Man is Stuart Matthewman's brother, I think. And Stuart Matthewman is the genius behind Sade.)
Why why why why?!!???
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The Buzzcocks - Love You More;
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Cream - SWLABR (from "Disraeli Gears");
Really like Clapton's guitar tone on this track.
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Cream - SWLABR (from "Disraeli Gears");
Really like Clapton's guitar tone on this track.
https://www.youtube.com/watch?v=DjKvB09zK0w
Yes! I remember on TV back around that time when an interviewer asked him how he got that "woman tone" (I guess this track is an example?) and Clapton said he used the neck pickup but turned the treble right up. Probably not the whole story though.
In fact it seems unclear when Clapton said "turn the tone right down" whether he meant turn the bass down or the treble down. There's lots about it on the interwebs.
...elevator in the Brain Hotel, broken down but just as well...
( a boring Japan blog (currently paused), now on Bluesky and Mastodon, there's also some GitStuff )
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